Find an article about the Harry Fox Agency (HFA) and their collection of mechanical royalties. Who are their competitors?
What other services does HFA provide?
Is it fair that a songwriter can’t negotiate the rate they are paid for the use of their work when someone is recording a “cover” version?
Find an article about SESAC’s recent purchase of HFA. Did the writer think this was a good purchase or a bad one?
Was the MLC created by the MMA “forced” to hire HFA to get SESAC’s buy-in for the MMA passage? See if you can find any commentary on this issue.