1. In which auteur’s films are you most likely to encounter gritty, urban subject matter? (Points : 1) Martin Scorsese Steven Spielberg Ingmar Bergman Nicole Holofcener
2. Which of the following is the best way to describe a director’s style? (Points : 1) His or her favorite mise en scène, cinematography, editing, and sound techniques The habitual way he or she deals with the actors on the set Typical way he or she deals with producers and other studio executives His or her preferred subject matter and genre in which to work |
3. Which critic is best known for opposing the auteur theory? (Points : 1) Roger Ebert Francois Truffaut Andrew Sarris Pauline Kael |
4. Which of the following is the “outer circle,” or minimal requirement, of Andrew Sarris’s model of the auteur theory? (Points : 1) Interior meaning Distinguishable personality Technical competence Popularity with audiences |
5. Which director is credited with largely setting the stage for what we think of as the modern film director? (Points : 1) D.W. Griffith Orson Welles Alfred Hitchcock Steven Spielberg |
6. What film technician’s role is most like the role of the foreman in the construction of a building? (Points : 1) The producer The screenwriter The director The cinematographer |
7. Which of the following is the best description of auteur theory? (Points : 1) The theory that the producer is the author of a film The theory that the director is the author of a film The theory that the screenwriter and the director co-author a film The theory that there is no true author of a film |
8. Why do many theorists doubt that genres exist at all? (Points : 1) Because all films are personal, individual visions Because studios invented the idea as a cynical marketing tool Because they are the product of audience expectations, not films themselves Because the definitions are fluid at best, meaningless at worst |
9. Which of the following films is an example of the classic “screwball comedy”? (Points : 1) City Lights Bringing Up Baby Annie Hall Knocked Up |
10. Which stylistic movement in film involved purposely distorted sets and images to convey a psychological feeling or attitude? (Points : 1) |
Dogme 95 German Expressionism Italian Neorealism French New Wave